The MFA in Contemporary Photographic Practice (MFA CPP) is a unique course offered by the University of Wales, Newport in collaboration with Fondazione Studio Marangoni (FSM) in Florence. This masters course in photography will be delivered in English and is intended for those students who wish to develop a critical understanding of their individual work within the broader debates of art, social documentary and wider culture. The programme will be delivered by internationally renowned practitioners, critics, theorists, and curators in both Newport and Florence with an emphasis on intensive workshops, seminars and tutorials, interspersed with periods of self directed study, reflection and consolidation. During this photography course students will develop technical and critical skills, with a strong emphasis on diversity of practice and the dynamics of the group. There will be an interim exhibition in Florence and a final exhibition in Wales.
Newport’s University School of Film, Photogrpahy & Digital Media enjoys excellent facilities for both analogue and digital output and is a leading presence in the development of an international research culture across Europe, with a long history of photographic education at Newport, which celebrated 100 years of photography in 2012
FSM is located in the heart of the city of Florence and enjoys a dynamic teaching and workshop reputation, alongside its public gallery exhibition programme.
This contemporary photographic masters programme has been developed with partner institution Fondazione Studio Marangoni in Italy in order to provide an exciting and supportive environment for you to develop a collection of work, which challenges and explores the many uses and contexts of photography in the wider world today. Our students are drawn from a wide range of backgrounds across the UK, Europe, USA, Asia and South America, and the wide range of staff expertise, as well as a full programme of renowned visiting speakers, makes this a unique learning experience.
entry: september 2013
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NURSING DATA: THE ARCHITECTURE OF COMPUTING CENTRES
The exhibition “Nursing data: the architecture of computing centres”, curated by Alessandro Martinelli, curator at i2a, and designed by Rosalia Briguglio and Antonio Pennisi, researchers in residence at i2a, presents the results of an investigation on an infrastructural type that is emerging in urban landscapes around the world. It will be on show at i2a istituto internazionale di architettura until Wednesday 10 July 2013 (first floor hall, from Monday to Sunday 10am-8pm, free admittance). The evening of June 4th will be broadcast via live streaming at www.i2a.ch.
The material will be compiled in a catalogue “Nursing data” that will be printed by Listlab during the summer of 2013 – the fifth volume of i2a’s collection regarding the “infrarealities” program.The exhibition and the round table are part of the “infrarealities” program that studies infrastructure and contemporary urban landscape, created by i2a in 2011. Thanks to the scale and capillarity of its infrastructure network, the selected region to be examined is the area that connects Lugano, the valley of the Vedeggio and the Ponte Tresa pass, a perfect case study. i2a has thus organised the collection of the analysis and design work of students from universities around the world (from the Master in Urban Vision and Architectural Design of the Domus Academy in Milano to the Graduate School of Architecture, Planning and Preservation of Columbia University in New York, from the Politecnico in Milano to the Fakultät für Architektur, Fachhochschule Köln ecc.) as well as researchers and professionals (not only architects) who work temporarily on the program. The goal is to create management and landscape development tools, to be used by public and private organisations and academic institutions, that are periodically presented via debates and exhibitions held at i2a.
Federica Di Giovanni racconta su Sportweek la grossa crisi dell’ippica in Italia
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Mostra degli studenti del I & II anno
Corso Triennale di Fotografia
21 giugno – 07 settembre 2013
fsmgallery – Via San Zanobi 19r, Firenze
Leonardo Bertuccelli, Diego Bocchino, Marco Castelli, Sara Cinelli, Duccio Doretti, Luca Giannone, Gianluca Leonardi, Federica Lombardo, Martina Melchionno, Mattia Micheli, Elisabetta Pallini, Agnese Puma, Camilla Riccò, Fabrizio Saccaro, Irene Santoni, Laura Steirer, Margherita Villani, Pietro Viti
Lorenzo Bertini, Luca Chiapatti, Deborah Cirillo, Carolina Gheri, Emma Grosbois, Andrea Montagnani, Mattia Neri, Giulia Piermartiri, Paola Ressa, Naima Miriam Savioli, Leonardo Serboli, Francesca Zagni
Cortona on the move – Festival di Fotografia in Viaggio, 18 luglio – 29 settembre
Il festival Cortona On The Move – fotografia in viaggio, offre una straordinaria opportunità ai nuovi talenti, a coloro i quali desiderano uscire dal coro e raccontare il proprio Viaggio. Un modo unico di partecipare al festival e avere la possibilità di esporre accanto a grandi nomi della fotografia mondiale.
Cinque spazi espositivi saranno a disposizione per i vincitori, selezionati da una giuria composta dal direttore artistico Arianna Rinaldo e dai membri dell’Associazione ONTHEMOVE.
Francesca Nicolosi vince il Premio Off e esporrà la sua serie Istanbul traces ! Francesca si è diplomata alla Fondazione Studio Marangoni nel 2010.
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Costa San Giorgio n° 2 – Firenze
20 GIUGNO 2013 – ORE 17.30
Il mondo del caffè visto da studenti e ex-studenti della Fondazione Studio Marangoni:
ogni numero di illywords è illustrato dalle immagini realizzate in esclusiva da studenti di scuole d’arte e design di tutto il mondo, che ne fanno il loro laboratorio di creatività personale e collettiva.
Il numero 34 di illywords appena uscito COFFETELLING presenta i vari progetti realizzato intorno al caffè dei studenti della FSM commissionato dalla illy.
COFFETELLING: A casa, al bar, in biblioteca, a scuola, ma anche nel deserto, fra le nevi e persino in fondo al mare! Ogni posto è buono per incontrarsi e dare vita a idee che si trasformano in storie da raccontare, da ascoltare, da smontare e rimontare. Uno sceglie i personaggi, l’altro l’ambientazione: un sorso di caffè ed ecco un incipit avvinvente, un giro di cucchiaino e la trama si capovolge mentre un finale a sorresa fa capolino dal bordo della tazzina!
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